EduardoCoutinho de pt, la posedanto de la aŭtorrajto por ĉi tiu verko, ĉi-maniere publikigas tiun laŭ la jena permesilo:
On darfas kopiigar, distributar ed/od altrigar ica dokumento segun la kondicioni di GNU Free Documentation License, quale esas mencionita en la versiono 1.2 od en irga plu posa versiono, qua esas publikigita da Free Software Foundation; En la dokumento ne darfas esas ne-altrigita parti ed olu ne darfas esar kom texto di frontala o dopala pagino di libro o GNU Free Documentation License.http://www.gnu.org/copyleft/fdl.htmlGFDLGNU Free Documentation Licensetruetrue
partigar – kopiar, distributar e transsendar la verko
Mixar – adaptar l'arkivo
Segun la sequanta kondicioni:
Atribuo – Vu mustas referar l'artiklo o verko segun la formo definita dal autoro o dal proprietero dil autoroyuro, ed informar se modifikuri facesis. Vu mustas facar to per justa formo, ma ne insinuar ke l'autoro konfidis ol a vu, od aprobis vua uzo dil artiklo.
partigar identa ('share alike') – Se vu modifikos, transformos od augmentos ica verko, vu mustos distributar la rezulto segun la sama, o simila licenco, quale l'originalo.
Ica etiketo pri uzo-permiso ligesis ad ica artiklo dum l'aktualigo dil yurizo GFDL.http://creativecommons.org/licenses/by-sa/3.0/CC BY-SA 3.0Creative Commons Attribution-Share Alike 3.0truetrue
The photographical reproduction of this work is covered under the article 48 of the Brazil copyright law, which states: Works permanently located in public places may be freely represented by painting, drawing, photography and audiovisual processes.
Warning: FoP is allowed in Brazil, including commercial use, to some extent. Artworks placed in locations with access to the public can be freely represented by photography, painting, drawing and audiovisual means. Commercial use is allowed, as long as the artist's work is properly attributed, the representation does not consist in a reproduction. The existing jurisprudence consistently allows commercial use of artworks under FoP, as long as the artwork is accessory, and not detached from its surrounding elements, and therefore not unfairly used to produce revenue that by law belongs to the artist. Violation of those rights is frequently punished by Brazilian courts with pecuniary indemnisations to the offended party.
This work might not be available under a free license in the United States because it is based on an artwork or sculpture that may be protected by copyright under U.S. law. (Commons is hosted in the United States and as such, U.S. law is applicable.)
In the source country of the artwork or sculpture, taking photographs of such works permanently located in a public place does not generally infringe on their copyright, under a principle known as "freedom of panorama".
In U.S. law, there is no freedom of panorama for artwork or sculptures, and under the choice-of-law principle lex loci protectionis, U.S. courts might apply U.S. freedom of panorama standards to this work, rather than the standards of the source country. However, in practice, it is unsettled whether and how this approach would be applied in real-world U.S. legal cases involving freedom of panorama elements.
The current policy on Commons is to accept photos of artwork and sculptures that are covered by freedom of panorama in their source country. This policy may change in the future, depending on the outcome of community discussions and new case law.
This is not a valid license tag on Commons; this file must be usable under freedom of panorama in its source country or it will be deleted.
The original description page was here. All following user names refer to pt.wikipedia.
2006-10-26 00:15 EduardoCoutinho 1632×1224×8 (882173 bytes) Nu - August Zanoyski (1943) Bronze - 160 cm (altura) Museu de Arte da Pampulha Belo Horizonte, MG
Titoloj
Adjuntez 1 lineo explikanta quo reprezentas ca arkivo
